Forthcoming Titles: ARC Reviews

One of the best parts about being a bookseller is getting to sift through all the ARCs that we get shipped to the store from various publishers. I've never grown out of the stage in my life in which free=awesome, and so the novelty of ARCs has not worn thin for me yet. Reviewed below are three ARCs I've read in the last couple of months that I got a kick out of:

My threshhold for paranormal romance is very, very low, but I was invited to a dinner with Andrea Cremer, the author of Nightshade, by the awesome Penguin sales rep so I read it despite the subtitle: She can control her pack but not her heart, which gave me serious pause (as did the cover, which has more sparkles than I can reasonably tolerate). And even though I didn't end up making it to the dinner it was worth the read. Cremer utilizes the now familiar trope of one girl/two-different-but-both-attractive guys to nice, tense effect, and despite the fact that I am not interested in the subject matter, and did not even particularly care for the sentence level writing style, I was still sucked into the story, in which romance and twists are plenty. The protagonist, Calla, is an alpha female set to mate with the alpha of a rival pack (Ren) in order to create an alliance, and her strength and comfort with her own power made her an appealing lead. But, of course, there's a new boy at school, who's smart (as his pedantic in and out of class eruptions are meant to illustrate) kind and handsome, and Calla finds herself struggling to give herself over to Ren, the cocky, lady-killer, babe-wolf with whom she's been matched. Lust, suspense and monsters aplenty ensue, Calla makes her choice, and a sequel looms on the horizon. A fun, light read with the page-turning propulsion of romance, I would totally recommend this book to lovers of Twilight, Shiver and other vamp/wolf/angel/fairy/zombie/ghost/whatever romances.

Also from Penguin (Dutton, specifically) is Matched, a new romance/dystopia from Ally Condie, which I picked up due to the promise that: "This is a perfect dystopian novel, sure to be a hit with fans of The Giver and The Hunger Games" from Colleen Conway, field sales. While I in no way agree that this book has the same appeal of The Hunger Games, I do see Colleen's point about the Giver; and indeed, Matched reads something like The Giver, if The Giver was wrought with all the teenaged romantic angst that I could handle. Like Nightshade, Condie utilizes the one girl/two guys trope, and again, to pleasantly tense effect. Set in the future, people in Matched are, just as the title promises, matched with the person they will marry by a system of people and computers, and the protagonist in Matched is pleased to find that she has been matched with her handsome best friend. But, just like Nightshade, another boy pops up in her life, and she has trouble giving herself over to the boy with whom she's been matched. However familiar the story, the writing style of this book is lovely, with elegant descriptions and passages of dialog that kept me tuned in, even as the critic in me whined about the overuse of the love triangle in YA. The future Condie imagined is one of cold plastic, tightly controlled art (only 100 poems, 100 songs, 100 paintings remain) and lives that was compelling, and, I imagine, particularly resonant for teens who may feel as though too much of their lives are controlled by outside forces. Come November, I will be pleased to recommend this book as a gift who kids who love dystopian novels.

Lastly was the new graphic novel from Scholastic, Ghostopolis by Doug TenNapel. Set in a fuzzily defined Underworld, Ghostopolis is the story of fatally sick boy Garth, and Frank Gallows, the ghost hunter who accidentally sends Garth to the land of the dead. As Garth goes on an adventure, learning his full potential and getting to know the soul of his prodigal grandfather, Frank and his ghostly ex girlfriend Claire Voyant go on the search to bring Garth home to his poor, terrified mother. Though the story and the setting often make little to no sense, I kept reading because the humor and the drawing style were to appealing that I couldn't make myself put it down. I was particularly fond of Frank's face, which ranges in emotion from weary to irreverent, to deeply in love. The limited palatte of colors suits the Underworld nicely, and utilizes more warm hues than one might have imagined would work for the land of the dead. I'm not exactly sure who I should recommend this book to, other than aspiring illustrators, but I'm pleased to see it on our shelf just the same.

What do you MEAN they didn't win?

I should just rename this post: Zilpha Keatley Snyder and Nancy Farmer just can't win... but that would sound mean. Even if it is true. Both authors, whose books are generally beloved, and who exercise no small amount of talent, have been Newbery runner-ups three times each. Three times! I don't think I've ever gotten second place for anything of note ONCE. I'm sure they have far more mature reactions to this phenomenon, but I'll be indignant on their behalves. Newbery, why do you torture them so?
So, it may be fair to point out that while it was not a Newbery medal winner, Nancy Farmer's House of the Scorpion DID win the National Book Award for Young Adults (and the Printz Honor, as well). The reason for the many accolades this title has accumulated is for a very simple reason: It's awesome. Set in the (not so) distant future, this bleak, dystopian novel takes place on the former border of the US and Mexico, aptly named Opium (for its chief export) from the point of view of a clone. A clone who, he soon realizes, is being raised with the sole purpose of providing organs to the ailing, aging leader of Opium. When harvesting day comes, Matt goes on the run, and the reader gets to tag along on a dark and fascinating tour of the country. What I loved most about this book were the two parental figures that Matt has: Tam Lin the bodyguard, and Celia, the housekeeper. Neither are his biological parents (duh, he's a clone), but they are both such wonderful nurturing parental figures, who give Matt the tools he needs once he goes on the run. I also love that, when I handsell this book, or give it away as a gift, I inevitably hear great reviews laters. My cousin Jack liked it so much he made his parents read it. Who of course, loved it also.

Also by Nancy Farmer, another Newbery Honor book, is A Girl Named Disaster. Set in contemporary Mozambique and Zimbabwe, this wonderful tale of survival, bravery and redemption was also a really cool field guide to African plants and animals. There's a fabulous passage in which Nhamo, the main character, lives among a troop of baboons. After reading Sapolsky's A Primate's Memoir, I was particularly fond of this passage, because Farmer's depictions of the baboons and their social structure matched up with Sapolsky's non-fiction (neuroscientist's perspective) account. Good for kids (probably mostly girls, but I'd try boys on it anyway) ages 10 and up, this novel also serves as a really great introduction to the nature of daily life in different places in Africa. Though Nhamo comes from a tribal village, she travels in solitude in the wilderness, and then ends up in a large city. The cast of characters include her fellow tribesmen, missionaries, Portuguese traders, jaguars, baboons, ghosts, scientists... the list goes on. Vividly decsribed, and thoroughly rendered, A Girl Named Disaster is a great book for kids who like learning about other cultures, or survival/adventure stories.

Farmer's third (THIRD) Newbery Honor book, The Ear, the Eye and the Arm, is also set in Zimbabwe. Only this time, it's a century into the future. A bit like a riff on The Wizard of Oz, complete with witch, but minus Toto, The Ear, the Eye and the Arm stars three runaway children, and the three detectives (for whom the book is named, each given a name coupled with their deformities) who are sent to find them. The cast of characters and variety of locations in this novel are head-bogglingly vast (in a good way) and thoroughly imagined. I was impressed with Farmer's ability to weave in true details about tribal culture in Zimbabwe in this otherwise fantastical novel. I'm bummed, however, that the current cover is a little strange looking, and that a lot of kids seem to see that bright blue monkey on the front, and decide preemptively that they're just not interested. Which is a shame, because it's a rollicking adventure of a book, one I imagine would be well suited for full-family read alouds, since it has enough substance to entertain the older kids, and is not too (just a little) terrifying for the younger ones.

And now, for something completely different.

From Zilpha Keatley Snyder, author of the fantabulous-oh-my-gosh-it's-so-good (Newbery Honor) The Egypt Game, is The Headless Cupid, another Newbery Honor book, with just a light touch of creepy. Like the Egypt Game, the kids in The Headless Cupid are trying to create rituals (though, this time of the occult, not from Ancient Egyptian custom) with what could be some effect. Also like the Egypt Game, this novel features a wide cast of characters, including one very precocious young lady, and a very earnest and responsible older brother. The kids, whose parents have just been married, have all moved into a large, country house together, that has a history of its own. Amanda, an only child now subjceted to four new siblings, is convinced (and convinces the others) that she can make contact with the ghost who lives there. Part mystery, part ghost story, The Headless Cupid also offers up a wonderful story about becoming a new kind of family. I truly cherished how lovingly and accurately family life is depicted, and would recommend this to all the kids who liked The Egypt Game (of course), but also to those who liked Steinbeck's Ghost, by Lewis Buzbee.

Lastly, the National Book Award Finalist, The Tiger Rising, by Kate DiCamillo. DiCamillo won the Newbery for her novel, The Tale of Despereaux, in 2003. I also have high hopes for her novel that came out this year, The Magician's Elephant, for the 2009 Newbery. But Tiger Rising was something altogether different than the other DiCamillo books that I have read. The narrator has such a soft touch in this tale of redemption, sadness and loss, and as such it rings a completely different chord than her other books that I have read, all of which utilize a very voicey narrator who takes you, safely, to that happy storytime place. There is no such distance from the content in Tiger Rising, and I think rightfully so. The main character, Rob, is dealing with the loss of his mother-- there's no making that any softer. As he grapples with serious emotional repression, he finds a tiger, in a cage, in the forest. Simply wrought with majorly resonant results, The Tiger Rising is a tale of unlikely friendship, and the feelings of which we're most afraid. And I cried, and I cried, and I cried. On the BART train. Great for ages 7 or 8 and up.

come and dance the macabre

Neil Gaiman is a rock star. It's true. He wears a leather jacket and everything, and he collaborates with Tori Amos. He writes novels, short stories, screen plays, picture books, graphic novels, and god knows what else. His hair is always picturesquely tousled .
So even though I didn't like the Newberry winner, The Graveyard Book as much as I liked some of his other work (particularly Coraline and Stardust, which are two of my favorite stories) I still thoroughly enjoyed it. It's particularly awesome to listen to it on audio since Gaiman records it himself, and of course, does an awesome job at it.
Right before the Newberry was announced this year, two people returned The Graveyard Book to our store on the basis that it was too dark. I also got one adult who came back angry that Coraline had given her nightmares. And Gaiman's work is dark. But for those readers that like imagining all the creepy crawlies in the dark, like a world wrought with impossible imagination and like stories that are always positively affirming, then Gaiman may be a fun place to start.
Though focused around a world of death, Gaiman managed to craft a book entirely about life. Consistently, throughout his entire body of work, Gaiman explores positive representations of death not as a morbid fascination, but as a way of reducing fear. And the Graveyard book is no exception.

also, check out his awesome interview with Stephen Colbert: http://www.hulu.com/watch/63035/the-colbert-report-neil-gaiman

Also, thanks to my older sister for introducing me to him in the first place. He was her favorite for years, and she used to read his work to me. We read his story, Chivalry (from the short story collection Smoke and Mirrors), on Christmas with our mom, and it's still one of my favorite family memories. I also used to steal her Sandman Chronicles when she wasn't home. Sorry, Mikka.